Thursday, April 8, 2010

A change in viewpoint

I exited a two-hour conversation with Sandy today, bearing numerous thoughts about which to contemplate. The only one that is fully formed is this beauty of an idea. Following a discussion on the concept of creation yielding plurality, and all the divisive spiritual trauma that entails, came the notion that the Big Bang is not an apt name at all, for it is far too exuberant an image. Instead, considering the universe started at the highest intensity, which subsequently decayed with time - a universe imbued with a sense of "Do we really have to?" - we propose a more appropriate name for that seminal moment of creation - the Big Sigh.
:-P

Sunday, January 10, 2010

On top of the world

It has been snowing for days. In the East, a steady few inches per day has blanketed both town and countryside, purifying all that stares skyward. Snow, uniquely, makes the ugliest beautiful for a time - morphing demons into angels.



Driving North and West, I crossed the Pennines, and briefly skirted an invisible boundary; fleetingly traversing the veil which separates two worlds. No words can describe the beauty of that drive. The sky was exceptionally clear. Snow draped over the ancient hills, crossed with drystone walls and dotted with farmhouses; the winter sun casting oblique shadows on the pristine palette. Looking South-West, the hills were ablaze with frosted fire. The scene was dissected by one of my favourite roads, and my perception of the stark beauty was heightened by the ever-present risk of the conditions, by constant alertness to the subtle messages of traction transmitted through the steering column. Through superposition of the beauty and the danger, I felt unusually alive.


As so often, Divine Comedy lyrics sprung to mind.





One butterfly spies the glint in his eye

The birds sing as he cycles by

And Oh! Why should he feel sad?

This world ain't so bad

And besides, woe betide he who would frown

When natural beauty abounds!

And now, with wheels spinning free,

He's picking up speed...


Two butterflies tie knots in his stomach

They love it when he goes to fast

Wind whistles past: vast oceans of air

That will mess up his hair

Though he no longer cares anymore

For overindulgence in vanity's
vacuous vice
Just once or twice
. Thrice.
Four times in five

We forget we're alive

And neglect to remind ourselves


Oh wait, wait for me!

Oh, great Mercury

As long as you may be

Oh, won't you wait for me?


Three butterflies realise when it's time to depart

They have tickled his ribs, they have fluttered his heart

But the starting is easy compared to the stop

And the bottom is hard when compared to the top!

Ooh, la la, la la la la....

Tuesday, January 5, 2010

We have forgotten

Dreams - inconsistent angel things;
Horses bred with star-laced wings

But it's so hard to make them fly

Fly...
Fly...

These wings beat the night sky above the town

One goes up and one goes down

And so the chariot hits the ground
Bound...
Bound...


We have forgotten
[Don't try to make me fly]

How it used to be
[I'll stay here, I'll be fine]

How it used to be
[Don't go and let me down]

How it used to be
[I'm starting to like this town]


When wings beat the night sky above the ground,

Will I unwillingly shoot them down

With all my petty fears and doubts?
Down...
Down...


We have forgotten
[Am I in love with this?]

How it used to be
[My constant broken ship]

How it used to be
[Don't go, I'll shoot you down]

How it used to be
[I'm starting to like this town]


Sixpence None The Richer

Thursday, December 10, 2009

Making sense of Sicily

I awoke to see mountains in every direction, as far as the eye could resolve. Flying over the Alps was breathtaking. The jagged snow-capped peaks, the drifting snow, and the few low clouds that clung to them, made a scene painted purely in white, the contrast coming from textures alone. Colour would have been a vulgar addition.


Catania is a curious place, glowing of functionality over form. Perhaps there's something about living in a sunny, beautiful place that makes you careless about the details. The streets are littered with old fliers and remnants of billboard paper. The medians, even in the town, appear to be scrubland - left untouched since the road was laid - a handful of coarse plants cling to life in the rough grey volcanic scree that characterises the soil here. The buildings are extremely angular - mostly rectangular blocks, with balconies protruding like cancerous growths from their sides. The roofs are mostly flat, and (save the dome of the cathedral, which stands out like a nun in a crowd of Rangers fans) there's not a single curve to be seen. From up on the hill where the lab is situated, the city looks like a pile of pale Lego bricks carelessly discarded along the coast. By submerging oneself downtown, one finds an equally interesting environment. Old buildings, seemingly decaying, draped with time-worn faded flags. The only paint not peeling is the unskilled graffiti adorning the lower levels of the buildings. There are little dark courtyards and wide piazzas, the latter filled with stalls selling hundreds of magazines, roasted nuts and little stands selling beer and coffee. I'm reminded of the Italian Job - for little seems to have changed since the Sixties. The dimly lit backstreets are full of shops selling junk. Many sell old items that you'd expect only at a charity shop or car-boot sale. There are dozens selling nothing but cheap chains of coloured stones - each shop with an alleged theme (one claimed to be Indian, another Italian) but all appeared to carry the same tacky wares. How all these businesses survive is beyond me. The main street, which runs for well over a mile, contains almost exclusively clothing shops. The majority of these are either expensive looking designer boutiques, or else underwear stores. The people here are all 'beautiful' - well dressed, and meticulously presented - but are in stark contrast to the city itself.


Finding a restaurant was actually quite challenging. Whether I was in the wrong part of town for dining, or whether it is true that the local culture is much more oriented toward eat in peoples homes, rather than in restaurants, I cannot say. Eventually, I found somewhere to eat, and sat outside. I spoke but a dozen words of Italian, she no English, but we communicated sufficiently. I ordered some marinated seafood to start (sardines, octopus and prawns in olive oil, lemon juice and parsley) followed by a seafood rissotto. Both were quite acceptable, though neither outstanding. I finished with an interesting espresso - served sadly in a plastic cup (!), but so dark and rich that it reminded me more of pure chocolate than of coffee.


Food is, for certain, one of the main draws of the place. The morning break of the meeting is filled with coffee (served in short, fragrant shots - each one about half the volume of a typical shot of spirits), fresh fruit juice and the most delicious fresh, hot pastries (my favourite being one containing a warm orange preserve). Whilst everyone stands around inside, I take these out, though the little courtyard and its lime trees, up to the roof overlooking the bay, and sit in the sun. In doing so, this place finally makes sense.

Monday, November 23, 2009

A quick thought

It could be argued that the greatest leaps in human thought, and social/religious development, have been spawned by the crossing of different cultures. There's nothing like encountering a different people, who have different beliefs and values, to make you question your own. This being the case, what lies in store for us once all populations of the Earth know each other (and perhaps homogenise to some extent), and we can no longer be surprised and awakened in this manner?

Wednesday, November 11, 2009

Sandy Speaks

Just a link to an article by in the Herald, in which Sandy was interviewed. He mentions us, too :-)

Friday, October 30, 2009

Contrast

After working so late that I didn't get to the pub last night, I got home, poured a beer and put the TV on. Unsurprisingly, I found little of worth being broadcast, until I stumbled onto a programme on STV. Broadcast in Gaelic, it was documentary on traditional Gaelic singing, and featured two women - one young and in training, the other older and acting as tutor. The younger girl sang, unaccompanied, the most haunting song I may have ever heard - sparse, yet rich, rhythmically interesting, yet it flowed with such naturalness that every sound seemed utterly inevitable. Her voice was light, clear, but with a deep strength that was hard to define - tied to the land, to the sea, and a reflection of femininty in its purest form. That the song was in Gaelic, and I knew nothing of the literal meaning of the words, only emphasised the its content, and magnified its mysterious fairness. I sat transfixed, experiencing a beauty I've not encountered for some time. It recalled to me the words of Felix Mendelssohn that were recently brought to my attention. When he was asked "Do you write music to represent ideas that are too vague for words?" he replied "On the contrary - I use music to express ideas that are too precise for words."

Alas, this programme shortly ended, and was replaced by the monstrosity that is a live night-time phone-in roulette game. I went to bed.